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On DVD: Avengers: Age of Ultron Review


Title: Avengers: Age of Ultron
Year: 2015
Genre: Action, Science fiction
Length: 141 minutes
Score: 4/5

"Avengers: Age of Ultron" is an amazingly achieved visual fest and an enjoyable popcorn flick; but it doesn’t live up to its predecessor due to an overload of story arcs.

If we can all agree in something, is that superhero movies are in their prime, especially Marvel movies (the ones produced by Marvel Studios, at least). The Marvel Cinematic Universe is one of the golden gooses of the Disney Empire. And the Avengers movies are the cornerstone of that success. Without them working, it would all fall apart. So it’s understandable that director Joss Whedon had a big pressure on his shoulders to make this movie work. And it did, but somehow it felt like it tried really hard.

The film starts off with an eye popping action sequence full of incredible special effects in which our heroes fight the remaining forces of HYDRA. In the middle of the battle, they run into a couple of "enhanced" humans: the Maximoff twins, also known as Scarlet Witch and Quicksilver. After this battle and with a little help of the Scarlet Witch, Tony Stark (Robert Downey Jr.) starts developing a peacekeeping program, playing with artificial intelligence and alien technology.

But things don’t go as he planned, and then Ultron appears, a sentient AI with a simple and deadly notion: humans must be destroyed for the sake of peace. The Avengers must unite once more to fight this threat that can jump from one artificial body to another and has access to all the information stored on the internet, including nuclear codes. In their crusade, they will go from scene to scene fighting this enemy and his new allies: the twins.

One of the many things to praise about this movie is that the spotlights are on the three characters of the group that don’t have their stand alone movies (or at least won’t get them in the foreseeable future): Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner) and Bruce Banner (Mark Ruffalo). These three have more screen time than their teammates, and it’s appreciated, since we get to know aspects of their lives we weren’t aware of. And that’s something really necessary in films like this, where the characters are constantly putting themselves in extreme danger; getting to know more about them makes us care about them.

As said before, the action sequences are amazingly well achieved. They're non stop and dynamic, and every character has their moment to shine. But this was no suprise, being a Marvel movie, and especially an Avengers Marvel movie. 

Another great aspect of the film is the dialogue. And that’s for sure the Whedon mark right there. Few genre writers can pen as smart, funny and witty dialogues as Joss Whedon can. And that shows in all the conversations and discussions held in the gatherings of the team.

But not everything’s great here. The movie introduces so many story arcs and plot lines that it feels like it could be divided in two parts. Being a "part of a Universe" film, it's normal that they're setting things up for the next ones, but it doesn’t help with the progression of this story. And at times, the plot feels a bit convoluted and tiresome.

The Avengers: Age of Ultron is worth watching, and a very good sequel, though it could definitely spare some narrative threads.

Maze Runner: The Scorch Trials Review


Title: Maze Runner: The Scorch Trials
Year: 2015
Genre: Science fiction, Adventure
Runtime: 130 minutes
Score: 3/5


Action packed and adrenaline filled, "Maze Runner: The Scorch Trials" succeeds in entertaining its audience, but fails in delivering a clear plot line and good character development.

The Maze Runner saga, another one in the YA dystopian novel adaptation crowd, presents its second installment. Directed by Wes Ball, and starring a cast of T.V. emerged young actors: Dylan O’Brien (Teen Wolf), Kaya Scodelario (Skins) and Thomas Brodie-Sangster (Game of Thrones); this sequel is longer and more dynamic than its predecessor, but the story doesn’t seem to be leading anywhere.

“The Scorch Trials” takes place right after the ending of “The Maze Runner” (2014), with the “gladers” being (apparently) rescued from the maze and the claws of the evil corporation WCKD. They are taken by this new organization led by A.D. Janson (Aidan Gillen), to a compound in the middle of the desert, where they can be safe and get some answers.

But peace fades away quickly when Thomas, the hero, finds out that they never actually escaped from WCKD and decides to plan a second break out. What he doesn’t know is that reality in the Scorch is much more dangerous and uncertain than any WCKD lab facility. The solar flares and the virus called “the flare” have decimated the human population. Specially the last one which, as it progresses, transforms human beings into “cranks”, creatures that resemble a lot to zombies, but for some reason here are called “cranks”.

The new casting additions work really well, especially Rosa Salazar and Giancarlo Esposito, in the roles of Brenda and Jorge, respectively. These two characters star in some of the best moments of the film, leaving the original protagonists in a second plane a couple of times. Aidan Gillen excels as Janson, the new bad guy of the story, although his character falls into the stereotyped category of the one-dimensional villain.

The strong points of the film are the action and chasing sequences, and the soundtrack works perfectly to intensify these scenes. But at some point, the story (just like the characters) gets lost and it is difficult to figure out what’s the overall journey that’s being drawn. Is this a survival story? Is it rebellion? Is it revenge? Is it the recovery of human race after a catastrophe? Or is it all of the above mixed up into a diffuse and intricate whole?

And in the middle of all these sequences are the characters, from whom we still don’t know much about, with one or two exceptions. The movie asks the audience to care about the destiny of these kids, but fails in doing so due to the poor character development it offers.

It’s fair to say that these problems are inherited from the source material: a literary saga with an implausible and rather pointless conclusion, a story with too many plot holes. The Scorch Trials is not a faithful adaptation of the novel, but its intricate premise is still present and it won’t satisfy audiences looking for a smart resolution.


In the end, “Maze Runner: the Scorch Trials” is good entertainment, but lacks a solid plot.